The craft of storytelling: My collected works
As a student of the craft, with a Master’s degree and extensive theatre credits, I believe in weaving complex narratives that resonate deeply. Whether penning a script for the Globe or crafting a psychological thriller, my focus remains on understanding and delivering the art of storytelling. This page showcases my journey and commitment to quality literature. I'm dedicated to exploring the human condition through diverse genres, offering readers stories that are both academic in their depth and universally engaging.
Beat of my heart
This collection captures the quiet, powerful moments that shape ordinary lives—love found too late, relationships that almost worked, and emotions people rarely say out loud. Each story is intimate, honest, and deeply human, focusing on the small decisions that leave lasting scars. Rather than grand twists, the book offers emotional realism, making readers feel seen, understood, and quietly moved long after finishing a story.
Shall we meet again
At its heart, this is a love story shaped by timing, loss, and impossible choices. The romance unfolds slowly and sincerely, grounded in vulnerability rather than fantasy. Love here is not idealised—it is tested by fate, separation, and sacrifice. What makes the story special is its emotional honesty: the kind of love that hurts, heals, and stays with the reader long after the final page.
Devil's reality show
Six strangers. One house. One rule: only one can survive. This thriller explores fear, guilt, and moral collapse under extreme pressure. The tension doesn’t come from jump scares, but from watching the human mind unravel when survival demands cruelty. As secrets surface and alliances fracture, the story forces readers to confront an uncomfortable question—how far would they go if being human meant dying?
The Four Horsemen and the fate of the World
The Four Horsemen and the Fate of the World is not a story about heroes chosen by destiny—it’s about people burdened by it.
In this reimagining of apocalyptic mythology, the Horsemen are not symbols of destruction alone, but deeply flawed beings struggling with guilt, power, love, and responsibility. The end of the world looms not because evil is unstoppable, but because those meant to prevent it are uncertain, divided, and painfully human.
What sets this novel apart is its emotional core. The apocalypse is not treated as spectacle—it is personal. Every choice carries weight, every sacrifice leaves a scar, and saving the world comes at a cost no prophecy prepares you for. The story blends myth, morality, and modern emotional conflict, forcing readers to question whether fate should be obeyed—or challenged.
This is a fantasy novel for readers who enjoy epic stakes, complex characters, and stories that linger long after the final page.
Stories behind the stories
Many of my books began with a single question rather than a plot—and that curiosity is what drives them.
With Beat of My Heart, the inspiration came from overheard conversations, unfinished relationships, and emotions people carry but rarely express. Several stories were written in one sitting, fuelled by moments that felt too real to ignore. Readers often say the stories feel uncomfortably familiar—like reading pages from their own lives.
Shall We Meet Again was inspired by the idea that love doesn’t always arrive at the right time—and sometimes, loving someone means letting them go. What makes this book special is that it treats romance with restraint and sincerity, allowing silence, longing, and missed chances to speak louder than grand gestures.
The idea for The Four Horsemen and the Fate of the World came from questioning traditional mythology. What if those chosen to save the world weren’t ready? What if destiny felt more like a curse than an honour? The story reimagines mythological figures as emotionally conflicted beings, making the apocalypse deeply personal rather than purely epic.
Devil’s Reality Show was born from a darker curiosity: how quickly does morality collapse when survival is turned into entertainment? The confined setting, countdown structure, and psychological pressure were designed to make readers feel trapped alongside the characters—forcing them to confront uncomfortable truths about human nature.
Across all my books, readers often tell me the same thing: they came for the story, but stayed for the emotions. That’s always been the goal—to write stories that linger, disturb, and quietly follow you long after the last page.
Start your next story
More than anything, I hope readers begin their journey with my work—whether by buying a book, opening a sample, or simply getting lost in the first few pages. Once you start, the story will do the rest. I want you to connect with characters, feel understood, and find yourself thinking about the narrative long after closing the book. From there, I welcome you to reach out, share your thoughts, or simply return for another story. Reading is the beginning; everything else—support, conversation, loyalty—follows naturally.